Letter to EDUC 718 Students

 

 

September 8, 2003
 
 
Dear Students and Fellow Writers,
            In this class I will be adopting Richard Meyer’s perspective (in Stories from the Heart : Teachers and Students Researching Literate Lives) that stories are one of the ways we learn and and one of the ways we teach.  I will ask you to write your own story—really a multitude of stories that reveal who you are and how you got that way.  Because I believe that as you understand who you are, you will come to see what it is important for you to write about.  This process may also help you understand the kind of teacher you have become and may provide insight about how you can become a better teacher.
            For this class I will not ask you to write anything that I will not also write myself.  As you offer me and the group pieces of yourselves, I will be offering you, the group, pieces of myself as well.  Actually, what this class will require most, I think, is the ability to take risks with a group of people who will begin as strangers.  I doubt that you can have any idea how vulnerable such a contract with you makes me feel.  I have to risk first, and then I have to find a way to help each of you take that same risk with me and with each other again and again.
            In this class we’ll use a workshop method, and you’ll need access to a pc.  What we are about in this class is not so much how to write—I daresay most of you teach others how to write.  We are about re-writing—refinement :  developing a clear, personal voice and a distinctive style that pleases us because it communicates exactly what we wish to say as the individuals we are.
            Yes, I understand that most, if not all, of you are teachers and would find a more pedagogical focus more immediately useful and probably more comfortable too.  But I believe you will grow as a teacher from focusing on your own writing in exactly the same way you grow by learning to read deeply a work of literature—works by Homer, Shakespeare, Garcia Lorca, or Toni Morrison—not because you would necessarily try to teach those same works to your students, but because grappling with your own understandings of such works helps teach you how to help your students grapple and conquer—in the sense of finding fulfillment—in what they read.  My hope is that, in grappling with your own writing at home and in our workshops, you will ultimately experience that same sense of conquest and fulfillment.
            I’m sure you will have questions and concerns beyond what I’ve addressed here.  I hope that our subsequent discussion will alleviate some of the hesitancy you may feel about just what you’ve gotten yourselves into.  I hope this group, this room, can be a place where you can feel understood and supported as we all work at becoming better writers.
                                               
                                                                                   Sincerely,
                                                                                   Glenna Howell, Ph.D.
 
                          

 
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